Beanie Affects Hair Growth?

Freud's couch caricartura.

Freud, the couch 85 pictures
caricature artists who made the magazine The New Yorker between 1927 and 2006 reach the Jewish Historical Museum and the Holocaust, to give a humorous treatment of psychoanalysis.


Go to the psychologist was not always an ordeal. Lying on a couch to talk about love problems, family, social work and even has never been a totally solemn. The exhibition Sigmund Freud: demonstrated on the couch.

is a kind of tribute to all patients once they left the office hating or wanting too much to the therapist and from now will see how psychologists have been seen in 85 humorous cartoons from New York and belonging the Ministry of Foreign Affairs of Austria.

The works were made by the cartoonists of The New Yorker magazine between 1927 and 2006. They show in a sardonic how psychology can also be a standing item of mockery, he says Brosnia Sigal, director of the Jewish Historical Museum and the Holocaust.

The exhibition will open in that location, Located in Acapulco Street No. 70, Col. Roma Mexico City, May 12 at 19: 00 am, is intended to show a different view of psychoanalysis around one of its leading figures: Sigmund Freud .

"He was a man who changed an era. Following his work came many schools that have survived until today. He used to say that laughter is very important in psychoanalysis. He even made a book, Jokes and Their Relation to the Unconscious, which discusses this issue in depth, "says Sigal.

The sample is divided into eight thematic clusters: Early Years, The Divan, Jargon, Here there and everywhere, who is insane, time and money is no longer funny and the clash of cultures in each of them can be seen from different perspectives the issues that Freud worked in his career, says MILLENNIUM . The cartoons are accompanied by a recreation of Freud's study in London, with a couch and a chair decorated as he did.

The first core theme addresses issues cartoonists made famous by the Austrian therapist as "attraction to my mother," "sleep inexpressible" and "free association of people," he explains. This part

is the piece that opens the exhibition: a cover of The New Yorker who teaches Freud and driving a car while responding to a patient.

thematic focus in the second display is dedicated to the study that the analyst had in London and from the cartoons that are in this section is one in which he is speaking with a sarcophagus, Brosnia says Sigal.

Another theme areas most striking in the exhibition is here, there and everywhere, because between the graphs is that of two women who chat in a cafe in their problems and where one tells the other "My psychoanalyst I do not understand, "as well as a pumpkin dressed in black suits taking seriously a witch.

addition, the exhibition shows two pictures where the doctor tells his patient: "Your problems seem insignificant" and another in which the analyst while listening to music, your patient asks you to download the walkman.

The sample was presented in Prague, Vienna, London, St. Petersburg, Santiago, Chile, New York, among other cities, and will remain in the Jewish Historical Museum and the Holocaust for a month and a half. Originally opened in 2006 at the Museum of the City of New York and was curated by museographer Michael Freund, who, seeing the cartoons of The New Yorker thought of Sigmund Freud: on the couch.

All

issue - By 1927 the magazine The New Yorker published two cartoons related to psychoanalysis, in 1932 there were four in 1936 and reached five in 1947, eight.

- During the time when Sigmund Freud's work was read everywhere, between 1940 and 1970, the magazine published between eight and fifteen cartoons related to depth psychology.

- Publication developed codes and iconography of the therapeutic environment: the bearded analyst, named germanófono German or Viennese accent.

- Despite the interest by psychoanalysis is decreasing among the population since 1970, the number of cartoonists working on this issue in the magazine is between five and fifteen years. Cuba